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CONEA 2010

Tomorrow Entries continue in the Continental University Campus Av San Carlos Huancayo 1980 .... Workshop
Lineatres found within Reintegration Workshop-Intervention in the Rio Florido

RIO FLORIDO

CHURCH

PICCHUS

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3.0 - LINEATRES - ARQ. LUIS RODRIGUEZ RIVERO / / CONEA 2010

WORKSHOP LINEATRES found within

Reintegration Workshop

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WORKSHOP WORKSHOP LINEATRES

"Never doubt the ability of just one group of thoughtful, committed citizens to change the world , in fact has always been that way

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schedule LINEATRES - WORKSHOP CONEA 2010-UCCI

more information: ELIO

Bendall ; elio_bb@hotmail.com

CHERYL GABRIEL              cheryl3_2@hotmail.com

ANGELA ORE                     yeli_1916@hotmail.com

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LINEATRES-CONE REINSTATEMENT WORKSHOP 2010 WORKSHOP LINEATRES

water system - HUANCAYO

1. Rio Shullcas

2. Rio Florido

3. Rio Chilca

Public Space + environmental dimension

Referentes essential to raise the protection of natural resources and artificial elements that enhance the claims and manifestations of collective life

The city can be understood as a complex ecosystem of connected elements or parts, where human activities are linked by communications interact as the system evolves dynamically. In this system, any variation or alteration whether structural or space in one of its parts creates a chain reaction that modifies or affects the other parts of the system. 1

CITY QUALITY - QUALITY OF PUBLIC AREAS

/ HYPOTHESIS /

SI FOR URBAN PLANNING OF THE CITY OF ESTABLISHING A STRUCTURE HUANCAYO METHODOLOGICAL FOCUS ON THE ANALYSIS OF THE POTENTIAL AS URBAN ECOLOGICAL RESOURCES, ALTERNATIVE OR DOES INTEGRATED REORGANIZATION PROPOSALS OF THE CONTEXT.

CONTRAST: ALL THE STREETS SURROUNDING THE RIVER FLOWER DESIGNED TO HAVE BEEN DIFFERENT APPROACH TO LONG EDIL; BEING PASSED AROUND THIS TIME, THE FLOWER AND THE VIA RIO TO BE DEVELOPED IN PARALLEL TO THIS, PRIORITY ZERO.

50 homes / 50 families

river 450 meters linear

This is our challenge, we can do? ... Is in our hands the answer ... the hope ... WORKSHOP LINEATRES

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LINE WORKSHOP A THREE

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CITY NATIONAL HERITAGE AS

To begin with the development of this article should take into account the primary concept of the word "estate" (property inherited from the ancestors); then we wonder Huancayo will one day be a national heritage? Do we want to be perpetuated in the history of our country? , Do we have enough requirements not to be forgotten? ... and many other issues.

A heritage (architectural, urban, cultural, etc.) Is bounded in space and time, for what heritage does not remain static but instead varies with time according to the viewpoint of the actors involved, namely the heirs of the estate as a whole, if these heirs do not realize the importance of identity and way of life, it is difficult to create a proper heritage "us" and searching for cutting-edge models; that can offer solutions, including its urban system, but in everything else alone generate a denial of ourselves.

Peru is a cultural mosaic, and our city is not excluded from that term, it is the owner of several Andean nuances that should be reflected in the way of life, society, architecture, identity, in short, in the manifestation of their city.

Huancayo In short what is needed enhancements and we manifest our intrinsic value so that it can be seen and appreciated in various art forms which we own, especially in architecture, which is the most enduring evidence of our culture and therefore should not be relegated to the past, but as previously said should be innovated according to the evolution of the thoughts of a city that values \u200b\u200bitself; clear that without being chauvinistic.

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the times

These are new times, the condensation of thirsts recalcitrant past when the ships speak of dreams, and the scales of a fish support their steadfastness, their shelter, are the times lucid minds of madness last are free to sing and describe a world based on the experience of art, in reason of unreason, in drawing illusions that yeast grounded in something that is becoming more sensitive, an unknown entity, of the imagination, these are new times!.

Listen within yourself and know that this past was not in vain, that this reality, these labyrinths of space, and the ever accelerating beats of time, this almost as vain for truth false is substantially true. Join the change, that all art is the child required a developed culture and architecture is not exempt from this truth. Today is when we judge the past by the meaning in the present and which took over from history and today is when we do not need Cardboard buildings huddled in the depths of the soul and forget, today is when the architecture is looking for herself in the real world and imaginary. And each of us are called to seek and try to time by the achievement of an Art of Re-Action, not for the eyes as well as for the evolution of the city.

written by Fernando Nájera Morales

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CONSERVATION

"the other side of architecture "

Driving architecture from the Architectural Heritage conservation leads to different views: the personal, cultural, historical, social and even urban planning.

Let's start with the word conservation, "Conservation " are all acts that prolong the life of cultural and natural heritage, is the action taken to safeguard the future of cultural property, and within the cultural property is immersed architecture of our ancestors.

Architecture as conservation, makes the display the architectural heritage architect as a design not itself but as the last step towards this, respecting the architectural and historical evidence of his time, respecting their authenticity , so that does not falsify or their history or their aesthetic value.

Achieve revaluation of architectural heritage is no easy matter, not simply to conserve it and maintain it, depends in turn on the environment where you are, keep the story alive to this day is more than a social, cultural or political, is to involve and engage with the environment next heritage knowing that the man is the result of its history , we must ensure that bond together.

From serving charters, conventions, meetings, workshops, and others, While the conservation of architectural heritage, if the relationship between himself and his environment itself does not have a link that will help both to develop and not just stay out of what happens to each other. A visible example of this is in our city, Warivilca Archaeological Complex, located south of Huancayo, which has not only an architectural value, also has a historical, cultural and social value, which is not fully appreciated, the disinterestedness of his nearest half, the people, to the efforts made by the entities responsible for its upkeep and maintenance are in vain.

Conservation begins to become conscious ourselves, not only depends on an architect, another professional or an institution depends on each of the want and appreciate the architecture left us by those who saw and handled their environment differently or better so that we Maintaining a strong link between us and our present will not forget our roots, our origin.

Text prepared by: Mariella De la Cruz Ricse

Photos: Warivilca Archaeological Complex - Huang

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"Occasional Cities"

exhibition in Buenos Aires

The exhibition is part of the "Post-it-City", directed by Martí Peran, launched in 2005 during the seminars and workshops at the Centre d'Art Santa Monica in Barcelona. The research project emphasizes the use and temporary occupation of public space for commercial, recreational and sexual cities around the world.

As the curatorial team, this type of urban practices appear, move and disappear, as if it were a post-it notes places significant time, and that leaves almost no trace whatsoever. It is, in short, phenomena that highlight the different needs and deficiencies primarily affect certain groups and that recover the value of using public space.

The search for this type of odd jobs in the city from two different perspectives: first, emergencies that are forced to parasitize public space and, on the other, the capacity of citizens to optimize space beyond their intended purposes. With this dual perspective, the exhibition presents 90 cases of cities as diverse as Tel Aviv, Buenos Aires, Hanoi, Santiago de Chile, Bologna and Barcelona.

Post-it-City

City Post-it tries to explore the phenomenon of casual city in its many variants, with the aim of documenting and reflecting on it: an industrial estate that becomes an illegal circuit on weekends, use of the city "under construction" for nerds adventure explorers, certain variants of the squatter phenomenon, the use certain terrains vagues for casual encounters, a nomadic camp, a rave party, "the conversion of the campus day in a sexual transaction during the night, etc.

is a project that, in the set of parameters that comes into play, leads to a number of issues of particular interest to contemporary culture: the need create spaces available, the versatility of the idea of \u200b\u200brecycling, the emergence of new subjectivities, among others.